Martin Gallen’s path to becoming a full-time Uilleann pipe maker is as unexpected as it is inspiring. A former architectural technician and safety consultant, Martin found himself, like many others, out of work during the construction recession. Picking up menial jobs to keep afloat, it was a chance conversation with a neighbour — a piping tutor — that changed everything.
“I’d always wanted to play the pipes,” Martin recalls. “He loaned me a set and began teaching me. When it came time to get my own set, I couldn’t afford one, so I decided to make it myself. The rest, as they say, is history.”
What began as a necessity has since blossomed into a highly respected career spanning over 16 years. Martin, now a member of The Guild of Master Craftsmen, has won 16 awards for his work, including the prestigious O Mealy Pipemaking Scholarship in 2012 — a “proper shot in the arm” for a craftsman who was largely self-taught.
Every set of pipes Martin creates is meticulously handcrafted — from reeds to bellows, cases to tools — all made by his own hands. “I keep my prices low to help others who were once in my position,” he explains. “It’s not the most profitable way to do things, but it’s the right way.”
His work has drawn the attention of musical legends like Paddy Keenan, Liam Ó Maonlaí, and Finbar Furey — icons who once adorned the posters on his childhood bedroom wall and now seek his advice. “It’s surreal, to be honest,” he admits, smiling.
Martin’s workshop is a hive of diverse activity, with no two days the same. Whether turning wood, working leather, or engineering precision tools, each task is another thread in the intricate tapestry of his craft. Despite the long hours and challenges of lone working, it’s the connection with young musicians that fuels his passion. “I’ve seen players grow up, return for upgrades, and even arrive years later driving their own car to pick up a new set. Being part of their journey is such a lovely feeling.”
Of course, the path hasn’t been without its trials. Post-Brexit supply chain issues and increasing red tape have forced Martin to change how he works. He now builds pipes at his own pace, listing them for sale when ready, rather than taking advance orders. “It’s scary, but it’s the only way I can keep doing this without burning out,” he shares.
As for advice to aspiring pipemakers? Martin chuckles, “Honestly, don’t do it. But if you must, research well, find your own voice, and ignore most of the noise around you. People have told me for 16 years what I can’t do – while I’m doing it.”
With his eyes now set on finally making a set of pipes for himself — something he’s never had time for — Martin’s story is one of resilience, passion, and the true spirit of master craftsmanship.